古籍与古旧书画修复技艺传承与要点探究——以杨来京修复技法运用实践为例

Exploration of the Inheritance and Key Points of the Restoration Techniques of Ancient Books and Ancient Calligraphy and Painting:Taking the Application of Yang Laijing’s Restoration Techniques as an Example

中华文明五千年的历史进程,留下了门类浩繁、数量众多的中华古籍与古旧书画,这些古籍与书画流传至今,年代久远,因为保存条件不佳或保管不善等原因,部分出现了不同程度的破损、虫蛀和污蚀等,需要及时修复。这是一门技艺性极强的工作,需要修复人员长期的坚持与付出。笔者父亲毛俊义及另一位修复师杨来京曾在南京图书馆从事古籍修复多年,论文以他们的修复实践与感受为例,交流探讨古籍书画修复程序中的一些关键步骤和处理技艺上的窍门,以期为修复人员提供一些实际借鉴,让破损的珍贵善本、古旧书画,通过修复能再现其应有的价值,继续流芳百世。

The 5000 year historical process of Chinese civilization has left behind a vast and numerous variety of ancient Chinese books and paintings.These books and paintings have been passed down to this day and have a long history.Due to poor preservation conditions or poor preservation,some of them have suffered varying degrees of damage,insect infestation,and erosion,and need to be repaired in a timely manner.This is a highly skilled job that requires long-term persistence and dedication from repair personnel.My father,Mao Junyi,and another restorer,Yang Laijing,have been engaged in ancient book restoration at the Nanjing Library for many years.This paper takes their restoration practice and feelings as examples to exchange and explore some key steps and technical tips in the restoration process of ancient book calligraphy and painting,in order to provide practical reference for the restoration personnel,so that the damaged precious and ancient books and paintings can be restored to their rightful value through restoration,and continue to be famous for centuries.