北宋元祐文学的图景特征——基于《唐宋文学编年地图平台》对元祐文学的定量分析

The General Characteristics of Yuanyou Literature in the Northern Song Dynasty:Quantitative Analysis of Yuanyou Literature Based on the Chronological Map Platform of Tang and Song Literature

依据《唐宋文学编年地图平台》所提供的编年系地作品数据,元祐年间是北宋文学创作的高峰期,元祐二年是整个北宋文学创作的峰值年,苏轼文人集团是元祐文学创作的主力。在各体文学中,元祐散文成就最为突出,“元祐更化”引发的政治剧变是元祐散文创作的催化剂。元祐诗歌数量优势不如散文,但宋调特征最为明显。元祐词坛表现一般,杭州是其创作中心。就空间而言,京城开封是元祐文学创作的绝对中心。元祐期间,随着苏轼的活动重心由京城转向地方,京城作为创作中心的地位渐次瓦解。通过对元祐文学图景的定量分析,大致可以得出元祐文学是“高峰文学”“散文文学”及“京城文学”的结论。

According to the chronological work data provided by the chronological map platform of Tang and Song literature,the Yuanyou period was the peak of literary creation in the Northern Song Dynasty,and the second year of Yuanyou was the peak year of literary creation throughout the Northern Song Dynasty.Su Shi literati group was the main force of Yuanyou literary creation.Among all kinds of literature forms,Yuanyou prose is the most outstanding.The political upheaval triggered by“Yuanyou’s transformation”is the trigger for Yuanyou prose creation.Yuanyou poetry is less dominant in quality than prose,but the song feature was the most distinctive characteristics.Yuanyou’s performance in the world of poetry is average,and Hangzhou is its creative center;In terms of space,Kaifeng,the capital of the Northern Song Dynasty,is the absolute center of Yuanyou literary creation.During the Yuanyou period,with Su Shi’s focus of activities shifting from the capital to the local,the status of the capital as a creative center gradually disintegrated.Through the quantitative analysis of Yuanyou literary landscape,we can generally draw the conclusion that Yuanyou literature is“peak literature”,“prose literature”and“capital literature”.