摘要
吐蕃统治时期的敦煌石窟服饰承载了多元文化交融情景。在这个时期,敦煌服饰进行了大量文化交融。文章在尊重敦煌服饰自身发展规律的前提下,通过对敦煌服饰发展实践过程中的历史回顾与发展思考,并运用文献资料法为主要研究方法,针对敦煌第159窟的吐蕃服饰展开了系统性研究。
The Dunhuang Grottoes costumes during the Tubo period bore the scene of multicultural blending.During this period,Dunhuang costumes underwent a lot of cultural fusion.On the premise of respecting the development law of Dunhuang costumes,through a historical review and development thinking on the practical process of Dunhuang costumes,this paper uses the literature method as the main research method to carry out a systematic study of the Tibetan costumes in the 159th cave in Dunhuang.
作者
贾又三
乔洪
JIA Yousan;QIAO Hong(College of Fashion and Design Art,Sichuan Normal University,Chengdu 610000,China)
出处
《西部皮革》
2023年第11期134-137,共4页
West Leather
关键词
文化交融
敦煌莫高窟
吐蕃服饰特征
cultural integration
The Mogao Grottoes of Dunhuang
characteristics of Tubo costumes