希区柯克与当代艺术——兼论电影建构艺术史的四种方式

Four Cinematic Constructions of Art History through Hitchcock

电影不仅继承了古典艺术的遗产,也成为艺术创作在主题与形式的源泉。20世纪之后的艺术史已经与电影艺术及其文化密不可分。希区柯克的创作借鉴了许多绘画和雕塑艺术,更借鉴了传统艺术关于偷窥的视觉装置。他的电影对当代艺术产生了广泛的影响,围绕希区柯克及其影片展开的当代艺术作品,分别将希区柯克作为偶像、素材、合作者和批判对象,希区柯克与艺术之间的相互“模仿”,为研究电影对艺术史的建构提供了范例。

Cinema not only inherits the heritage of classical art,but becomes the inspiration of art creation in terms of themes and forms.Art history since the 2oth century has been closely related to film and its culture.Hitchcock's films drew inspiration from paintings and sculptures,as well as visual dispositif of voyeurism from traditional art.His works have exerted wide influence on contemporary art.The contemporary art works,which make reference to Hitchcock and his films,regard Hitchcock as an idol,material,collaborator,and critical objects respectively.The mutual"imitation"between Hitchcock and art provides an example for the study of the construction of art history through film.