从道具物走向总体装置:电影中的“新物质性”与当代装置艺术

From Props to Total Installation:The“New Materiality”in Film and Contemporary Installation Art

电影与装置艺术之间的关系复杂且具有流动性。一方面,艺术家频频将电影媒介挪至当代装置艺术场域,另一方面,电影向装置艺术借鉴多种造型策略,使自身呈现出一种装置化的物质性。电影借由“戏剧装置”(电影道具物的装置化)、“非物质装置”(电影的光影现象学与氛围化)和“总体装置”(总体装置样貌的生机物质主义)三种装置化表达,实现了从纯粹的客观被经验之物,到介于主客体之间的气氛之物,再到独立于主体存在的活力物质的“新物质性”转向。

The relationship between film and installation art is complex and fluid.On the one hand,artists take inspiration from films and even directly transpose the medium of film to the field of contemporary installation art.At the same time,the film also borrows a variety of stylistic strategies from installation art,and gives the film as a materiality of installation.From three perspectives of"theatrical installation"(the installation of film scenery and props),"immaterial installation"(the phenomenology of light and atmosphere in film)and total installation"(the vital materialism of the total installation),this paper analyzes the film installation expression from the pure objective thing experienced to the atmosphere between the subject and object.Then to the"new materiality"of the vibrant matter independent of the subject.