从东方奇幻到赛博朋克:对两种“物化”的思想考察

From Eastern Fantasy to Cyberpunk:An Examination of Two Ideas of"Objectification

《新神榜:杨戬》等影片中东方奇幻与西式赛博朋克美学的混搭,成为幻想电影的新潮流。东方奇幻故事在现代包装下迎来某种新生,魔法与科技的嫁接创造出一种时空叠加的新颖景观。幻想电影中妖物与机械物可被视为文明两端,即“前人类—文明—后人类”大历史视角下两种为人所“恋畏”的物之存在,隐射了现实中被物化的人的隐痛与斗争。揭示两种“物”所蕴含的能动性,将为我们走出人类中心主义、走向人类解放提供一种探索性思考。

The mix of Eastern fantasy and Western cyberpunk aesthetics in films such as The New Gods:Yang Jian has become a new trend in fantasy cinema these days.The Eastern fantasy story has been given a sort of"rebirth"in modern packaging,magic and technology creating a novel spectacle of temporal superimposition.In the fantasy film,the demon and the mechanical object can be seen as the two ends of civilization,i.e.the two"fetishized and feared"beings in the larger historical perspective of"pre-human-civilization-post-human",which alludes to the hidden pain and struggle of the objectified in reality.Revealing the dynamic nature of these two kinds of"objects"will provide us with an exploratory reflection on the way out of anthropocentrism and towards human liberation.