摘要
实验法是心理学研究的重要工具,将其引入电影叙事学中,并进行理论融合。将实验法的核心要素“实验者”“实验假设”“实验被试”和“实验程序”,在电影叙事学领域中进行跨学科类比,对应为叙事要素中的“大影像师/反派/对手”“主题”“主人公”和“情节”,由此形成一个新的电影叙事模型。这是一种模式化的电影创作思维方式,主张“像做实验一样”进行电影叙事设计,从而建构出为电影艺术服务的叙事理论。
As an important tool in natural science,psychological experimentation has also played a role in film theory and practice.Now,we will introduce it into film narratology and theoretically integrate it.Specifically,we will use the core elements of experimental methods,such as experimenters","experimental hypotheses","experimental subjects",and"experimental procedures",to conduct interdisciplinary analogies in the field of film narratology,corresponding to the"big imagers/villains/opponents","themes","protagonists",and"plots"in the narrative elements,to form a new film narrative model.This is a patterned way of thinking in film creation,advocating"experimental"flm narrative design.
出处
《电影艺术》
北大核心
2023年第3期81-87,共7页
Film Art
基金
国家社科基金艺术学项目“认知神经科学背景下电影视听元素结合效果研究”(项目号:19BC041)
北京市社会科学基金项目“神经电影学理论模型建构及电影认知的脑成像实证研究”(项目号:16YTA002)系列成果之一。
关键词
实验法
实验性思维
电影叙事
控制感
experimental method
experimental thinking
film narration
sense of control
