纪录片、当代艺术与创造的摄影机——李消非、赵亮、邱炯炯访谈

Documentary Film,Contemporary Art and Creative Camera:An Interview with Contemporary Artists 1 Film Diretors,Li Xiaofei,Zhao Liang and Qiu Jiongjiong

当代艺术对于正在寻求突破、寻找出口的当代纪录片创作,意味着什么?接受访谈的三位影像作者都身兼当代艺术家/纪录片导演的双重身份,活跃在创作一线,代表着近年来某种重要创作趋向。其中,李消非的艺术工作以“流水线系列”展开,游走于影像“句式”与线性叙事之间;赵亮通过“叙事影像”进行观念表达,切换于录像艺术和纪录片创作之间;在邱炯炯面前,摄影机更像是一个游戏装置,用以跨越非虚构与虚构的界线。

What does contemporary art mean to contemporary documentary creation,which is seeking a breakthrough and an outlet?The three interviewees are all contemporary artists/documentary filmmakers who are active in the front line of creation,and their works represent some important creative trends in recent years.Among them,Li Xiaofei's artistic work starts with an“assembly line series"that moves between video"sentences"”and linear narratives;Zhao Liang's conceptual expression through“narrative images”switches between video art and documentary creation;for Qiu Jiongjiong,the camera is more like a game apparatus device,by which he crosses the boundary between non-fiction and fiction.