摘要
在人类思想史上,“自由”作为一种价值观念一直贯穿于人们的社会建构与精神生产的活动中,并且在各种价值体系中最具有成为核心诉求、优先选择的可能性。作为政治思想和经济学说的自由主义一直是近年来国内思想史研究的核心范畴,但在艺术史研究中却比较缺少相关的深度研究,以致自由主义价值观念以及思想学术与视觉文化的联系显得异常单薄,尤其是自由主义与中国古典艺术精神遗产的关联远未受到重视。
It's quite natural and properto focus on style and genre in the study of abstract art in China.It seems that our people have already understood abstract art early in the art renaissance in the 1980s.However,theoretical study is stll inadequate and obstacles to appreciation also exist.Whats more,we don't even have full awareness of the problems.The historical study of ideas centered on the notion of liberty would indeed promote the study of Chinese contemporary art,and help to bring up rational rethinking of the traditional artresources.
出处
《当代美术家》
2008年第1期39-39,共1页
Contemporary Artists
