无名与有名的较量——冯至《十四行集》之《鼠曲草》新解

The Battle between the Unknown and the Famous—A New Interpretation of Feng Zhi’s The Edelweiss from The Sonnets

《鼠曲草》是冯至《十四行集》中的一首具有代表性的诗作,已有研究中通常将之视为冯至的精神塑像,事实上该诗的版本、题名、内容与注释之间存在着较为明显的裂隙与不确定性,考量其正文本与副文本之间的关系会发现,诗人在表达人世间和自然界互相关联与不断变化的关系、着意突出孤独的个体生命之绽放姿态的同时,有意寻求某种可作为民族志的微观象征物,其认知与认定方式隐含着诗人特有的知识性、情感性与想象性的附加值。

The Edelweiss is a typical poem in The Sonnets,which has been generally regarded as a mental statue of Feng Zhi.In fact,there are obvious gaps and uncertainties between the version,title,content and annotation of the poem.Considering the relationship between the body text and the paratext,we find that while expressing the relationship between the human world and the natural world,and highlighting the blooming of the life of the lonely individual,the poet consciously seeks some kind of micro-symbol which can be used as ethnography.This way of cognition and identification implies the added value of the poet’s unique knowledge,emotion and imagination.