不同时代思潮下的“赛金花”书写--以夏衍、杜家福版为例

Writing of“Sai Jinhua”under Different Ideological Trends:Case Study of Xia Yan and Du Jia-fu Editions

受不同时代思潮影响,夏衍与杜家福分别创作的《赛金花》呈现出不同状貌。两位作者通过对剧本起首不同地点、背景的选择和构思来打破时代对创作产生的束缚,为“赛金花”的形象塑造打下基础,奠定整部剧作的感情基调和走向。同时,二人分别围绕政治和情感作为结构重心来展开对“赛金花”形象的塑造,以此反映不同的时代主题。还借助同一背景下不同人物群像的书写,达到对不同时代背景下“赛金花”形象的生动阐释。

Affected by different ideological trends,the two versions of“Sai Jinhua”exhibit different appearances.Xia Yan and Du Jiafu broke the constraints of the era on creation by choosing and conceptualizing different locations and backgrounds for the beginning of the script,laying the foundation for the image shaping of“Sai Jinhua”,and laying the emotional tone and direction of the entire play.At the same time,the two of them respectively focused on politics and emotions as the structural focus to shape the image of“Sai Jinhua”to reflect different themes of the times.By utilizing the depiction of different groups of characters in the same background,we can achieve a complete interpretation of the image of“Sai Jinhua”under the two trends of thought.