摘要
纵观传统的父权文本,女性从来不是言说的主体。她们充当的是被描写和表现的对象,在文本中被他者化、客体化和对象化,而这种女性在文本中被言说的过程是在凝视的机制下完成的。印度女作家阿兰达蒂·洛伊在其所著的小说《微物之神》中,试图通过颠覆性的策略来表达本土经验和女性经验,但这种倒转话语的方式只是批判地模仿了压迫者的手段,并没有指出一套不同的性别框架。因此,文学中的解决方式终究只是一种想象性的解决图景,只有搭配社会行动力才能成为真实的社会问题的解决途径。
Throughout the traditional paternity text,women are never the main body of speech.They act as objects of being described and manifested,being objectified in the text,and accomplished under the mechanism of gaze in the process of being spoken in the text.Indian female novelist Arundhati Roy tries to express local and feminine experiences through subversive strategies in her novel The God of Small Things,but this way of reversing discourse is only a critical way to imitate the oppressor,and fails to point out a different set of frameworks.Therefore,the solution in literature is only an imaginative solution picture after all,and only with social action can it become the solution to real social problems.
作者
刘骏
LIU Jun(School of Humanities,Nanjing Forestry University,Nanjing Jiangsu 210037,China)
出处
《廊坊师范学院学报(社会科学版)》
2023年第2期48-52,共5页
Journal of Langfang Normal University(Social Sciences Edition)
基金
南京林业大学水杉师资科研启动经费项目(163080179)成果。