摘要
大型舞剧《只此青绿——舞绘〈千里江山图〉》以《千里江山图》青绿山水长卷的创作历史为基础构建艺术文脉和逻辑叙事,以多维展示、多元叙事、多媒介多门类跨界整合的创作思路,实现了造型艺术绘画作品与表演艺术舞蹈作品之间的美学形式贯通,在艺术精神塑造与审美形式表现上,该剧注重传承历史,结合时代精神对“青绿”审美意象与“宋韵”美学风格进行了创新性转化和审美精神提升,生动展现了《千里江山图》长卷厚重的历史和人性的光辉。舞剧真实再现了典型环境中的典型人物,推动了艺术门类之间的跨界整合与交流互鉴,其创新创造方法和现代性转化路径为传统文化注入了活力,彰显了时代精神。该剧编创中坚持“以人民为中心”创作美学原则,其创作目的、过程、内容、方法、逻辑叙事及最终呈现中,都拥有对于人民主体性地位以及突出和尊重“人”的劳动美学的强调体现,用典型人物形象构建出了典型作品,是传承弘扬优秀传统文化的成功案例。
Inspired by the 900-year-old A Panorama of Rivers and Mountains , The Journey of a Legendary Landscape Painting artfully blends the Chinese traditional painting and modern dance drama into a visual feast of multidimensional displays, diverse storytelling techniques, and multiple media. This production carries on and forward the traditional aesthetics of the blue-green paintings created in the Song Dynasty by authentically conceptualizing dancers as the key figures in that historical chapter. Its innovative creative methods and modern transformation approaches infuse traditional culture with vitality and embody the spirit of the times. It sets a good example of popularizing the excellence of traditional culture in that it adheres to “people-centered” creation principle in terms of its purpose, process, content, approaches, logical narrative and final presentation.
出处
《东南大学学报（哲学社会科学版）》
2023年第3期110-127,148,共19页
Journal of Southeast University(Philosophy and Social Science)
基金
2021年国家社会科学基金艺术学一般项目“中国艺术意境观念变迁研究”(21BA021)成果之一。
