摘要
广东汉剧,也称为粤东“外江戏”。关于广东汉剧的源头,史学家、理论家、艺术家们都有独到的见解,这方面的研究成果也比较多。但从总体上看,这些有关广东汉剧源流的研究成果,大多是从史学的角度对其进行探究,即使有从音乐学的角度对其进行研究的成果,也只是比较简单、零散而不够系统的探讨。在此以其唱腔、音乐形态为切入点对其进行深入系统地剖析,并结合湖北汉剧的唱腔、音乐特点等,对其进行分析、对比,寻找、确认它们之间的亲缘关系。
Guangdong Han Opera is also known as the"Waijiang Opera"in eastern Guangdong.Historians,theorists,and artists have unique insights into the origin of Guangdong Han Opera,and there are also many research achievements in this area.However,overall,these research results on the origin and development of Guangdong Han Opera are mostly explored from a historical perspective.Even if there are research results on it from a musicological perspective,they are only relatively simple,scattered,and not systematic enough.This article conducts a thorough and systematic analysis of its singing style and musical form,and combines them with the singing style and musical characteristics of Hubei Han Opera to analyze and compare them,seeking and confirming their kinship.
作者
黄东阳
HUANG Dong-yang(School of Music and Dance,Jiaying University,Meizhou 514015,China)
出处
《嘉应学院学报》
2023年第2期19-23,共5页
Journal of Jiaying University
基金
广东省哲学社会科学规划项目“非遗视野下的客家仪式音乐研究”(GD22XYS29)
嘉应学院项目“广东汉剧教学资源数据库建设与共享”(PX-73221594)。
关键词
广东汉剧
湖北汉剧
唱腔
曲词结构
Guangdong Han Opera
Hubei Han Opera
singing style
lyrics structure