同辅氏《蓝关九度道情》的两重话语色彩及其成因

The Dual-Discourse Qualities of the Tongfu's Languan Jiudu Daoqing and Their Formative Factors

藏于东京大学的淮邑同辅氏《蓝关九度道情》是一个较为特殊的道情刻本,其中最为特殊之处,便是作为“第一读者”的同辅氏的序、每章的评和后记的跋。作为道情故事的读者和整体文本的“第二作者”,同辅氏的文字中蕴含着较为明显的儒家中心色彩,与道情故事中蕴含的道家中心色彩形成了反差。本文针对这个矛盾点,通过对同辅氏文字的话语色彩和道情故事的话语色彩的分析,揭示其趋儒和趋道的两重话语色彩;并以此为契机,分析两重话语得以结合的文本内部成因与社会背景。

Languan Jiudu Daoqing by the Tongfu's from the Huai region is a unique block-printed version in the prize possession of the University of Tokyo.The most outstanding feature of this version of daoqing as a folk art form is the preface,chapter-by-chapter commentary,and the concluding remarks as postscript,all authorized by the Tongfu's as its"first reader".As both reader of the daoqing narrative and"the second author"of the whole text,the Tongfu's interpretive readings suggest an obvious Confucian-centrism,a quality quite distinct from the kind of Tao-centrism common to ordinary daoqing stories.In view of this contrast,the paper exposes the discourse features manifest in the Tongfu's version in comparison with the general discourse features of daoqing narratives,leading to a discovery of its dual discourse qualities.It is on this basis that the paper evaluates the version's internal factors formative of the said dual qualities as well as its socially contributive elements.