摘要
小说插图以其直观性诉诸视觉,推动了经典文本的图像阐释。裘沙、王伟君伉俪为《鲁迅之世界全集》所绘《伤逝》的黑白插图与小说文本产生互动,具体表现为人物形象的视觉重塑、典型环境的画面营构以及情节发展的图像孕育。画家从美术视域建构《伤逝》画面,为文本解读提供新角度,推动了小说《伤逝》的传播与接受。
Illustrations in a novel,appealing to vision with its intuitiveness,promotes the image interpretation of classical texts.The black and white illustrations in the novel"Regret for the Past"drawn by the couple of QIU Sha and WANG Weijun for LU Xun′s World Collection,interact with the novel text,which are embodied in the visual remodeling of the characters,the picture construction of the typical environment and the image gestation of the plot development.The painter constructs the picture of"Regret for the Past"from the perspective of art,provides a new perspective for text interpretation,and promotes the dissemination and acceptance of the novel.
作者
张鑫鑫
卢军
ZHANG Xinxin(College of Literature,Liaocheng University,Liaocheng 252059,China)
出处
《洛阳理工学院学报(社会科学版)》
2023年第3期62-66,共5页
Journal of Luoyang Institute of Science and Technology:Social Science Edition
基金
国家社会科学基金项目“鲁迅回忆录整理与‘鲁迅’形象的建构研究”(编号:20BZW182)的阶段性成果.
关键词
鲁迅
《伤逝》
图像阐释
作品插图
LU Xun
Regret for the Past
image interpretation
illustration of works