论金宇澄《繁花》器物记忆书写

On the Artifacts and Memory Writing in JIN Yucheng′s Flowers

《繁花》是金宇澄根据其在上海20世纪60年代至90年代的生活经验写就的一部上海记忆的小说。金宇澄对上海的记忆书写由个人记忆、时代记忆和社会记忆构成,这三者形成其对上海历史的完整体验。金宇澄用器物来勾连记忆,在展现器物的同时呈现记忆。在书写个人记忆时,金宇澄从儿童视角切入,以充满趣味的器物勾勒上海少年饱含温情的童年记忆。在书写20世纪60年代至70年代的时代记忆时,金宇澄则用日常器物来表现时代场景以及时代带给人的体验。金宇澄把器物的变迁作为社会变迁的见证者,从中展开关于上海的社会记忆。

Flowers is a novel full of memories about Shanghai,written by JIN Yucheng based on his personal life experience.JIN Yucheng′s memory of Shanghai is composed of personal memory,temporal memory and social memory,which make up his profound and complete description of Shanghai history.JIN Yucheng′s memory writing is unique.He adopts the involvement of some artifacts to connect memories and present memories.First of all,as for his personal memories,JIN Yucheng starts from the perspective of a child and selects some interesting artifacts to give an outline of the tender memories of Shanghai teenagers.And then,when it comes to the temporal memories during the 1960s and 1970s,JIN Yucheng chooses everyday objects to depict the scenes of the time and the experience attached.Finally,JIN Yucheng takes the change of utensils as the witness of social change to develop his social memory of Shanghai.In JIN Yucheng′s unique writing of Shanghai memory,the readers can appreciate his different attitudes towards different memories of the past.