摘要
全译之轴是转化,转化之魂是“化”。“化”的内涵体现在它反映全译行为的本质属性,与文字学、哲学、美学中的“化”一脉通连、彼此呼应;“化”的外延指译者在处理形义矛盾时采取的对、增、减、移、换、分、合七种手段及其相应的方法和技巧。
The axis of complete translation is transformation,whose quintessence is in sublimation.In terms of connotation,sublimation,as the intrinsic nature of complete translation,shares interrelated and mutually denotative meanings with the Chinese word“化”in philology,philosophy and aesthetics.In terms of denotation,sublimation refers to the translator's various means of dealing with the contradiction between form and meaning in the source language and target language,including corresponding,adding,reducing,transferring,converting,dividing and combining as well as concrete methods and skills.
作者
余承法
段园园
Chengfa Yu;Yuanyuan Duan(Foreign Studies College,Hunan Normal University)
出处
《外国语言与文化》
2023年第1期12-21,共10页
Foreign Languages and Cultures
基金
国家社科基金重大项目“中国翻译理论发展史研究”(20&ZD312)
2021年湖南省新文科研究与改革实践项目“‘四新’学科背景下翻译传播新兴专业建设探索与实践”(20219418YCF)。
关键词
全译
转化
化
形义矛盾
complete translation
transformation
sublimation(化,hua)
contradiction between form and meaning
