摘要
克莱斯特的《洪堡亲王》创作于拿破仑战争的语境之下,19世纪初的军事变革和作家的军事知识构成了戏剧文本建构的重要元素。通过改写1675年的费尔贝林战役,克莱斯特演绎了普鲁士军事传统与拿破仑时代军事原则之间的冲突,从而以戏剧的形式表达了时代的军事文化之变,反映了普鲁士军事改革的困境。《洪堡亲王》的文本与同时代军事理论和军事技术发展之间的互文关系证明了克莱斯特对军事问题的关切及其人生最后几年中的文学创作与普鲁士军事改革之间的密切联系。
Heinrich von Kleist's The Prince of Homburg was created in the context of the Napoleonic Wars.The military revolution in the early 19th century and the writer's military knowledge constituted important elements in the construction of the play.By rewriting the Battle of Fehrbellin of 1675,Kleist interprets the conflict between the Prussian military tradition and the military principles of the Napoleonic era,thereby expressing the changes in the military culture of the era in a dramatic form.His text reflects the Prussian military reforms.The intertextual relationship between the text of The Prince of Homburg and the contemporary developments in military theory and military technology testifies to Kleist's concern with military issues and the connection between his literary creation in the last years of his life and the Prussian military reforms.
作者
史敏岳
曾悦
Minyue Shi;Yue Zeng(School of Foreign Languages,Nanchang Hangkong University)
出处
《外国语言与文化》
2023年第1期32-44,共13页
Foreign Languages and Cultures
基金
2020年江西省高校人文社会科学研究项目“文化学视阈下启蒙时期德语文学战争书写研究”(WGW20203)
2021年江西省高校人文社会科学研究项目“克莱斯特德意志民族思想研究”(WGW21204)。
关键词
克莱斯特
《洪堡亲王》
普鲁士军事改革
战争书写
Heinrich von Kleist
Der Prinz von Homburg
Prussian military reform
war writing