茅盾的文学作品特征的分析

An Analysis of the Characteristics of Mao Dun's Literary Works

茅盾是我国现代著名作家和文学评论家,他前期的文艺评论主要是建立在“为人生”的现实主义观基础上的,后期又开始逐渐靠近革命现实主义文学观。在这一过程中,无论观念发生怎样的变化,茅盾都始终围绕中国文艺运动的实际情况和现代作家创作背景,从事文学理论批评工作。他始终坚持革命现实主义的文艺应该和中国的革命秉持同一个步调不断前进,并坚持反对公式化、概念化的倾向,更加关注对于艺术形式和艺术技巧的探索与研究。因此茅盾的文学作品,在选材构思、情节设置、人物塑造和语言应用上表现出了独特的文学特征和作品风格。对此该文做了相关研究,首先分析了茅盾作品的文学创作视角,以及文学思想,并结合实际情况,从多方面分析了茅盾的文学作品的创作特征。

Mao Dun is a famous modern writer and literary critic in China.His early literary criticism was mainly based on the realistic view of"for life",and later began to approach the revolutionary realistic literary view.In this process,no matter how the concept changes,Mao Dun has always been engaged in literary theory criticism based on the actual situation of the Chinese literary and artistic movement and the creative background of modern writers.He always insisted that the literature and art of revolutionary realism should keep moving forward at the same pace as the Chinese revolution,and insisted on opposing the tendency of formulation and conceptualization,paying more attention to the exploration and research of artistic forms and techniques.Therefore,Mao Dun's literary works show unique literary characteristics and style in material selection,plot design,characterization and language application.This article has made the related research,first analyzed Mao Dun's literary creation angle of view,as well as the literary thought,and combined with the actual situation,analyzed Mao Dun's literary creation characteristics from many aspects.