《边陲线上》的叙事空间解读

An interpretation of narrative space in Borderline

东北流亡作家善用空间叙事来丰富作品的空间审美意蕴,骆宾基作为东北流亡作家的后起之秀,以其特有的空间叙事艺术建构了包括地志空间、时空体空间和文本空间三种层次空间,使其作品具备丰富的空间结构。基于加布里尔·佐伦的《走向叙事空间理论》,解读《边陲线上》的叙事空间,能够一窥骆宾基空间叙事艺术的审美意蕴。

The exiled writers in Northeast China make good use of spatial narration to enrich the spatial aesthetic implications of their works.Luo Binji,as a rising star of the exiled writers in Northeast China,constructs three kinds of hierarchical space with his unique spatial narrative art,including topographic space,space-time body space,text space,so that his works have rich spatial structure.Based on Gabriel Zolun’s Towards a Theory of Space,the interpretation of narrative space in the Borderline can give a glimpse of the aesthetic implications of Luo Binji’s spatial narrative art.