中国舞蹈学科体系探索的历史沿革与思考

The Historical Evolution and Thinking of the Exploration of Chinese Dance Discipline System

新中国舞蹈艺术的奠基人吴晓邦先生在1984年编制出“舞蹈学科图表”,并于1986年提出了“舞蹈学”概念,标志着中国舞蹈学科体系的确立。1993年、1998年、2011年、2022年官方层面四次对舞蹈学科门类(体系)进行调整,使舞蹈学科属性逐渐清晰。本文梳理以吴晓邦为代表的多位舞蹈工作者在舞蹈学科体系研究领域的成果,结合新时代舞蹈学科发展趋势提出:中国舞蹈学科体系的构建与调整应遵循理论、实践、批评、历史——“多元融合”的原则,按照国家战略部署及文艺方针政策、国家学科标准及学科目录规范、艺术学(含每个艺术门类)研究对象的具体情况这三方面来进行。

Mr.Wu Xiaobang,the founder of New China's dance art,compiled the"dance discipline Chart"in 1984,and put forward the concept of"dance science"in 1986,which marked the establishment of Chinese dance discipline system.In 1993,1998,2011 and 2022,the official level adjusted the discipline(system)of dance four times,making the discipline attribute of dance gradually clear.This paper sorts out the achievements of many dance workers represented by Wu Xiaobang in the research field of dance discipline system,and combines the development trend of dance discipline in the new era.The construction and adjustment of Chinese dance discipline system should follow the principle of theory,practice,criticism,history--"pluralistic integration",and be carried out in accordance with the three aspects of national strategic deployment and literary policy,national discipline standards and discipline catalog,and the specific situation of the research object of art science(including each art category).