摘要
听觉与行走是人类最基础的生存技术,也是感知外部环境的方法与途径。从20世纪开始,随着艺术、文学、声响生态学、城市地理学、声音人类学和媒介研究等领域对声音、听觉、行走的持续关注与研究,听觉与行走逐渐发生连接。假借“城市雨林”这一意象,通过对3个声音行走作品与笔者经验的比较,剖析声音行走与聆听行走之间的差异,提出从“声音导向”向“听觉导向”的研究转向。尝试剖析声音、行走、聆听在城市的语境之中如何生成全新的连接,如何赋予身体与意识以全新情境,进一步思考在此种听觉情境中个体在现代城市景观中的可能性。
Auditory sense and walking are the most basic survival techniques for human beings,and they are also the methods and ways to perceive the environment.Since the 20th century,with the continuous attention and research on sound,auditorysense,and walking in the fields of art,literature,acoustic ecology,urban geography,sound anthropology,and media studies,hearing and walking have gradually become connected.Under the guise of the image of "city rainforest",this article analyzes the differences between sound walking and listening walking by comparing three sound walking works with the author's experience,and proposes a research shift from "sound-oriented" to "auditory-oriented".The paper tries to analyze how sound,walking,and listening generate new connections in the context of the city,how to give the body and consciousness a new situation,and further think about the possibility of individuals in the modern urban landscape in this auditory situation.
出处
《中国园林》
CSCD
北大核心
2023年第5期27-32,共6页
Chinese Landscape Architecture
关键词
风景园林
声音
聆听
行走
声音艺术
城市空间
城市漫步
landscape architecture
sound
listening
walking
sound art
urban space
city walk