对半岛生态的话语重构与现代反思——论张炜长篇小说《我的原野盛宴》的生态叙事

Discourse Reconstruction and Modern Reflection in the Ecological Writings Based on the Peninsula World:On the Ecological Narration of Zhang Wei’s Novel My Feast on the Plain

不同于一些从事生态写作的作家对生态破坏现状的揭露与迫切追问,作家张炜始终以一种温和纯真的视角追忆完美纯净的自然生活。20世纪90年代至今,张炜在经年的文学耕读中孕育出生态与道德博弈的一篇篇力透纸背的生态力作。长篇小说《我的原野盛宴》问世后,不难发现其在此作中继承原初的自然精神与道德反思,打破自我复制的创作囹圄,加强了故事思想性的深层建构。在人与自然野物“对话”的童话中,他以少年童真为触角,触摸半岛的呼吸生态,秉持绝对虔诚的自然浪漫,描绘儿童视角中“最后一个”的心灵家园,终以优美诗性的创作实践表达生态回归的现代心理,完成其文学表达中蕴含的生态平衡。

Unlike some writers engaged in ecological writing by exposing and urgently questioning the current situation of ecological destruction,author Zhang Wei always reminisces about the perfect and pure natural life from a gentle and innocent perspective.Since the 1990s,Zhang Wei,a Chinese writer,has continuously created ecological masterpieces that reflect the game of ecology and morality based on multi-year reading.In his latest novel My Feast on the Plain,it is not difficult to find the inheritance of the primitive natural spirit and moral reflection.This work breaks the self-replicating in literary creation,and strengthens the deep construction of the ideology of the story.In the fairy tale of“dialogue”between man and wildlife in the natural environment,the youthful innocence is taken as the tentacles to touch the breath and ecology on the Shandong peninsula,and the“last”spiritual home is depicted from the child’s perspective while adhering to the absolute pious natural romance.Ultimately,the modern psychology of the return to nature is expressed with beautiful poetic creative practice,completing the expression of ecological balance in his literature works.