论赋与书的同体批评

On the Isomorphic Criticism of Fu and Shu

辞赋与书法的关联,突出体现于书体语象(书法赋)与赋体书像(赋书法),而从艺术批评史的角度看,二者又有着异类而同体的功用。概括地说,赋用与书用,构成征实原则;赋法与书法,成就技术特征;赋象与书像,呈示形似艺术;赋势与书势,表现气运风骨。这种基于体性的批评,将辞赋与书法这两种不同体类的艺术联结起来,具有我国古代文艺史写作的典范意义。

The connection between ci fu and calligraphy is prominently reflected in the language imagery of calligraphy(calligraphy fu)and the calligraphy imagery of fu(fu calligraphy).From the perspective of art criticism history,the two have different but identical functions.In summary,the principle of factual evidence is formed by the combination of fu and calligraphy use;Fu technique and calligraphy technique,achieving technical characteristics;Fu imagery and calligraphy imagery,presenting forms resembling art;Fu momentum and calligraphy momentum,expressing the vitality and character.This criticism based on aspectual character connects the two different genres of art,ci fu and calligraphy,and has exemplary significance in the writing of ancient Chinese literary history.