明中叶苏州阊门地区空间形态探析——以仇英本《清明上河图》为例

Analysis on the Spatial Morphology of Suzhou Changmen Area in the Middle Ming Dynasty:A Case of Riverside Scene at Qingming Festival Created by Qiu Ying

从城市形态相关理论出发,以明仇英本《清明上河图》为基础,通过历史图像解读及文献资料印证的方法对画作中所描绘的明中叶苏州阊门城市空间展开相关研究。以空间尺度为划分依据,对画作内容从“城市片区”“街道空间”“建筑空间”三方面展开研究,分析探讨画作所绘明代中期苏州阊门的具体城市空间形态,总结归纳阊门城市空间形态具有自发性、多样性、商业性等特征,为后续阊门城市空间整体发展奠定重要基础。

Starting from the relevant theories of urban morphology,and based on Riverside Scene at Qingming Festival created by Qiu Ying in the Ming Dynasty,this paper conducts relevant research on the urban space of Changmen in Suzhou in the middle of the Ming Dynasty depicted in the painting through historical image interpretation and literature verification.Based on spatial scale,the content of the painting is studied from three aspects:“urban area”,“street space”,and“architectural space”.The specific urban spatial form of Changmen in Suzhou in the middle of the Ming Dynasty depicted in the painting is analyzed and discussed,and the characteristics of spontaneity,diversity,and commercialization in the urban spatial form of Changmen are summarized,laying an important foundation for the overall development of Changmen urban space in the future.