明清瓷器上“对弈图像”设计特征研究

Research on the Design Features of Chess Playing Image on Ming and Qing Porcelain

“棋”作为中国古代雅人四好“琴棋书画”之一,具有悠久的历史。“对弈”则是对“棋”的用途的直接表现形式。明清瓷器上,以“对弈图像”作为装饰的题材广泛,它既能寄托文人雅士归山隐逸的情感,又能在方寸之间一决雌雄。笔者从“对弈图像”的溯源出发,通过探讨明清时期“对弈图像”的流行原因、人物元素设计、场景构图设计以及“对弈图像”设计与器型的关系,分析了明清瓷器上“对弈图像”的各种表现特征,为深入解读传统经典的“对弈图像”在瓷器上的运用提供一定的参考。

"Chess"has a long history as one of the four good"zither,chess,calligraphy,and painting"of ancient Chinese refined people."Chess game"is a direct manifestation of the use of"chess".On Ming and Qing porcelain,there are a wide range of subjects decorated with"chess playing images",which can not only express the reclusive feelings of literati retur-ning to the mountains,but also make a showdown between square inches.Starting from the origin of"chess image",this article analyzes various expressive characteristics of"chess image"on Ming and Qing porcelain by exploring the popular reasons of"chess image"during the Ming and Qing dynasties,character element design,scene composition design,and the relationship between"chess image"design and porcelain type,providing reference for in-depth understanding of the appli-cation of traditional classic"chess image"on porcelain.