摘要
关中土雕建筑、河北辽西建筑构件、高句丽壁画是最重要的十六国时期房屋类建筑资料。三地建筑存在一定的表面差异,但基本的建筑技术和样式是接近的,关中、河北辽西都上承汉晋而向拙重方向发展,高句丽可能受到东晋南朝的影响而略显轻巧。关中、河北辽西建筑特征后来又都汇聚到北魏平城,型塑了平城建筑的基本形态。
The dataset for studying architectures during the Sixteen Kingdoms period consists of the carved earthen architectural decoration,the carved decoration showing architecture components in Hebei and western Liaoling,and Goguryeo murals.While variations might have existed across the above-ground architectures from the three regions,the fundamental building techniques are very similar.The architectures from Guanzhong and Hebei-Liaodong inherited the tradition from the Han-Jin period and oriented towards the development of using heavy components,while the architectures from Goguryeo incorporated light components,probably under the influence from the Eastern Jin and Southern dynasties.In particular,the authors point out that the architectural characteristics embodied by the Guanzhong and Hebei-Liaoxi regions were eventually crystalized and became the basic architectural features in Pingcheng during the Northern Wei period.
作者
韦正
宁琰
辛龙
Wei Zheng;Ning Yan;Xin Long
出处
《考古与文物》
北大核心
2023年第2期115-125,共11页
Archaeology and Cultural Relics
关键词
十六国时期
关中
河北辽西
高句丽
建筑
Sixteen Kingdoms period
Guanzhong
Hebei and western Liaoling
Goguryeo
Architectures