摘要
盘索里是朝鲜半岛家喻户晓的说唱艺术,距今已有三百多年的发展历史。盘索里作为来自民间的说唱艺术,表达了朝鲜朝社会普通民众的“去恨趋乐,化悲为喜”的情结,追求亦庄亦谐、众人共欢的审美趣味。盘索里的艺术品位经历了一个“俗”的“雅化”过程,而它的最终归宿则指向“雅俗一元化”。“雅俗一元化”不仅是盘索里所追求的艺术品位,也是盘索里在自身发展过程中呈现出的文化表征,它赋予了盘索里以大众性和通俗性为主要内涵的文化品格。
With a 300-year history,Pansori is now a popular talking-singing art around the Korean Peninsula.As a folk art,Pansori usually expresses the pervasive desire of regular people,with dispelling hatreds,embracing happiness and turning sorrow into delight as its core concern.Although Pansori has its atheistic preference in carnivals of both the classic and the popular,this art slowly became classic when finding its life in popular soil.The unification of both the classic and the popular could be Pansori's atheistic stance,also its cultural characteristic.In general,popularity and folk-based quality are the core connotation of Pansori's cultural character.
出处
《韩国研究论丛》
2021年第2期117-127,221,共12页
Chinese Journal of Korean Studies
基金
韩国学中央研究院海外韩国学培育项目“中国华中地区韩国学核心基地培育项目”(AKS-2016-INC-2230001)阶段性成果。
关键词
朝鲜半岛
盘索里
文化品格
雅俗一元化
Korean Peninsula
Pansori
cultural character
unification of both classic and popular