摘要
金学研究四百年来,《金瓶梅》的“逸典”世界,既是晚明时代日常生活的社会图景的拟像,也是“日常生活形而上化”的思想史镜像。张竹坡批评的第一奇书本以其深刻的“情理”观揭示了这一图景,以文间评的解释性评注方式,重构了一个交叉视阈下的新文本系统。这一系统引导读者开始关注自身阅读的体验,进而与作者、评点者共同参与,从而完成了一个全新的身份转变。
In the research of Jin Ping Mei in nearly four hundred years,the“art world”of Jin Ping Mei is the image of social graphics of the daily life in the late Ming Dynasty,and the ideological history of“metaphysical daily life”Jin Ping Mei as the first odd book criticized by Zhang Zhupo,he revealed this social picture with a profound“reason”concept in the book The author reconstructed a new text system under cross-visual fields with the interpretive commentary method in text This system leads the reader to start caring the experience of their own reading,and then complete a brand new identity transformation.
出处
《珠江论丛》
2022年第1期284-296,共13页
Pearl River Forum
基金
国家社科基金重大项目“大连图书馆藏明清小说整理与研究”(项目编号:17ZDA261)的阶段性研究成果。