弥漫的乡愁——论耿立的《向泥土敬礼》和《消失的乡村》

The Diffuse Nostalgia-On Geng Li's Salute to the Dirt and The Vanishing Countryside

20世纪乡土文学中,鲁迅所开创的知识分子“离去,归来,又离去”的乡愁叙事模式,成为乡土文学的重要典范。现代知识分子现实与精神的异乡困境,现实离乡与精神还乡的悖论、物质与精神的割裂、抗俗与媚俗的矛盾、怀乡与怨乡的交织,构成耿立乡土散文作品对故乡的复杂情感。作品对乡土的情感与想象,既有土地崇拜的赤诚、怀乡恋土的乡愁,又有对土地贫瘠、人性丑陋的痛切批判。

In the vernacular literature of the 20th century,the nostalgic narrative mode of intellectuals“leaving,returning,and leaving”pioneered by Lu Xun has become an important model of vernacular literature The dilemma of modern intellectuals in a foreign land between reality and spirit,the paradox of realistic departure from home and spiritual return,the separation of material and spirit,the contradiction between anti-custom and kitsch,and the interweaving of nostalgia and resentment constitute the complex feelings of Geng Li's vernacular prose works towards his hometown The works'emotions and imaginations about the countryside include the sincerity of land worship and nostalgia for the homeland,as well as the criticism of the barrenness of the land and the ugliness and obscurity of human nature.