游牧、诗意与寓言化:约旦民族电影美学风格探析——以电影《希布》为例

Nomadic,Poetic and Allegorical:On the Aesthetic Style of Jordanian National Films-Take the Film Theeb as an Example

近几年来约旦凭借独特的地理景观优势与开放的电影政策成为国际电影制作的又一个热门场域。借助国际电影制作的东风,约旦亦开始构建自身独有的民族电影产业。约旦唯一一部提名奥斯卡最佳外语片奖的电影《希布》不仅承载了约旦电影走向世界的期望,也在相当程度上浓缩了约旦民族电影美学风格,其体现出来的游牧美学、诗意影像以及含蓄内敛的主题表达均具有很强的民族标识性。对该电影的考察不仅可以管窥约旦民族性格与审美特征,亦是对“一带一路”视野下阿拉伯电影文化的一次巡礼。

In recent years,Jordan has become another hot field for international film production with its unique geographical landscape and open film policy.Jordan has also begun to build its own national film industry with the help of international film production.As the only Jordanian film nominated for the Oscar for Best Foreign Language Film,Theeb not only bears the expectation of Jordanian film going to the world,but also to a considerable extent encapsulates the aesthetic style of Jordanian national film.The nomadic aesthetics,poetic images and implicit and introverted theme expression reflected in it all have strong national identity.The investigation of this film can not only provide a glimpse of Jordanian national character and aesthetic characteristics,but also provide a tour of Arab film culture under the vision of the“Belt and Road”.