颜真卿《大唐中兴颂》石刻版本考

A Study on the Editions of the Stone Carvings on Yan Zhenqing's Ode to the Revival of the Tang Dynasty

传世颜真卿《大唐中兴颂》石刻版本甚多,影响较大者有三种。其一,浯溪本。该石刻乃诸刻祖本,刊于湖南祁阳县湘江之畔,由于江水冲刷与人为捶拓宋代便已残破,元明以来石刻残损日益加重,传世拓本钩描现象十分普遍。其二,剑州本。刻石位于四川剑阁县,为南宋吴旴摹刻,金石和方志文献著录较多。其书用笔瘦劲,结字宽松,与浯溪祖本颇有区别。其三,资州本。位于四川资州,翻刻分东岩、北岩两处,明代仅东岩刻石尚存。该摩崖刊刻时间应为南宋宝庆(1225-1227)之前,其书风亦显现出瘦劲特点。

Among the numerous editions of the stone carvings on Yan Zhenqing's Ode to the Revival of the Tang Dynasty,there are three most influential ones.One is the Wuxi edition,which is the master copy of later editions and is located on the bank of the Xiang River in Qiyang county,Hunan province.Due to river erosion and artificial tapping and rubbing,it has been damaged in the Song dynasty.Since the Yuan and the Ming dynasties,the damage of the stone carving is increasingly aggravated,and in extant rubbings the outlining and flling are commonly used.Another one is the Jianzhou edition.The stone carving,which is located in Jiange county,Sichuan province,is a copy made by Wu Xu of the Southern Song dynasty and has been recorded in lots of literature.Its strokes are thin and strong,and the characters are loose,which is quite different from the Wuxi edition.The third one is the Zizhou edition.Located in Zizhou,Sichuan province,the carving is divided into two parts on the east and north rocks,and only the east one survives in the Ming dynasty.It was probably carved before the Baoqing period(1225-1227)in the Southern Song dynasty,and its calligraphic style also shows the thin and strong characteristics.