摘要
电影《无依之地》通过独特的视角呈现了车居族这一现代社会边缘群体的游牧生活。电影以女主人公弗恩的生存境况作为切入口,通过独特的女性视角质疑了传统的文化价值观念。现代性神话破灭带来的身份认同危机促使弗恩走上逃离家的道路,开始现代生活间隙的游牧生活,在这个过程中她重新发现自然与女性的关系,重塑家的概念,最终选择反抗传统的家,将自我放归自然,表现出强烈的女性主体意识。
The film Nomadland presents a unique perspective on the nomadic life of the Cheju tribe,a marginalized group in modern society.The film takes the survival situation of the female protagonist Fern as the starting point,questioning traditional cultural values through a unique female perspective,analyzing the identity crisis brought about by the collapse of modernity myths,which prompts Fern to embark on a path of escaping home and embark on a nomadic life in the gap between modern life.During this process,she rediscovers the relationship between nature and women,and reshapes the concept of home.Finally,she chooses to rebel against the traditional home and return herself to nature,showing the full consciousness of female subject.
作者
付佳瑞
徐小霞
FU Jia-rui;XU Xiao-xia(Xizang Minzu University,Xianyang 712000 China)
出处
《新余学院学报》
2023年第3期95-99,共5页
Journal of Xinyu University