死亡的不同面相——露易丝·格吕克《野鸢尾》的生命哲思

DIFFERENT FACES OF DEATH-PHILOSOPHICAL THINKING OF LOUISE GLUCK′S THE WILD IRIS

《野鸢尾》是2020年诺贝尔文学奖获得者露易丝·格吕克(Louise Glück)的一部代表性诗集,国内研究多从叙事学(声音叙事、生态叙事等)或神话原型视角展开,诗集中出现的高频词除了“声音”“话语”,还有“死亡”“上天”“生命”等。诗人以植物为话语言说者,讲述花园中不同植物独特的生命体验,借此探讨人的生存困境和死亡主题。本文拟从生命哲学层面对诗集进行解读,探析《野鸢尾》所显露的诗人之生命观及其对死亡的诠释和理解。

The Wild Iris is one of the representative collections written by Louise Glück,winner of the 2020 Nobel Prize for literature,it′s also the first collection for Chinese reader introduced by translator Liu Xiangyang.Most of domestic researches are from the perspective of narratology like voice narrative,ecological narrative or from the perspective of mythological archetypes.In addition to"voice"and"speak",the high-frequency words in those research include“death”,"heaven",and"life".Using plants as the discourse speaker,the poet tells unique life experiences of different plants in her garden,thereby she explores the dilemma of human existence and death.This article intends to analyze the poet′s interpretation and understanding of death from the aspect of life philosophy.