摘要
《瞬息全宇宙》是丹·关与丹尼尔·施因内特执导的奇幻喜剧电影,讲述了美籍华裔女性伊芙琳战胜中年危机的故事。影片借用平行宇宙的概念构建了“多元宇宙”的世界观,并且以空间作为影片叙事的核心,颠覆了传统的电影叙事。在影片华丽的后现代风格之下,包裹着存在主义式的精神内核。影片的美学特点、叙事逻辑以及主题表达分别通过片中的现实空间、心理空间和符号空间三重空间呈现给观众,为空间叙事理论在电影领域提供了一个新的例证。
Everything Everywhere All at Once is a fantasy comedy film directed by Dan Guan and Daniel Schneider,which tells the story of Evelyn,an American Chinese woman,overcoming the middle age crisis.The film borrows the concept of parallel universe to construct the world view of"multi universe",subverts the traditional film narrative,and takes space as the core of film narrative.Under the gorgeous post-modern style of the film,it is wrapped with the spirit core of existentialism.The aesthetic characteristics,narrative logic and theme expression of the film are presented to the audience through the triple space of real space,psychological space and symbolic space in the film,which provides a new example of space narrative theory in the film field.
作者
黄霄
HUANG Xiao(Sichuan University,Chengdu Sichuan 610000,China)
出处
《顺德职业技术学院学报》
2023年第2期81-85,共5页
Journal of Shunde Polytechnic
关键词
《瞬息全宇宙》
空间叙事
后现代
电影
平行宇宙
Everything Everywhere All at Once
space narrative
postmodern
film
parallel universe