论笛子协奏曲《巴楚行》的演奏难点——兼谈乐器法运用的得失

On the Difficulties in Performing the Bamboo Flute Concerto A Journey in Bachu-And the Use and Loss of Instrumental Techniques

笛子协奏曲《巴楚行》创作于1995年,在创作之初被一部分演奏者认为是无法演奏的作品,在演奏家的建议下几经修改后仍被认为是难以演奏的作品,到今天已经成为了音乐会的常演作品。文章以这一现象为研究动机,通过对初稿中难点的修改和定稿后的演奏难点进行分析,指出并论证了当时基于传统笛曲的演奏特点而形成的训练体系和笛子乐器法理论建设的缺失,是造成演奏难点的主要原因。

This paper points out that the training system formed based on the performance of traditional bamboo flute music at the time and the lack of theorization of the bamboo flute playing techniques causes challenges in the performance of the bamboo flute concerto A Journey in Bachu.