音乐具有再现功能吗?——对分析美学音乐再现论的考察与分析

Does Music Have a Reappearance Function——An Examination and Analysis of the Theory of Analytical Aesthetics in Music Reappearance

音乐再现论是分析美学的一个基本论题。在音乐是否具有再现功能这一问题上,分析美学不能取得观点的一致。一部分学者立足于自律论,否定音乐具有再现功能,代表性学者是戴维斯和斯克鲁顿;另一部分学者立足于融合主义,认为音乐具有再现功能,代表性学者是基维和瑞德莱。音乐再现论是一个历史性话题,分析美学的探讨与争鸣有重要的理论意义。本文在整体考察分析美学音乐再现论的基础上,对其不足及当代意义进行了讨论。

The theory of music reappearance is a fundamental topic in analytical aesthetics.On the issue of whether music has a reappearance function,analytical aesthetics cannot reach a consensus.Some scholars,based on the theory of self-discipline,deny that music has a reproducing function,with representative scholars being Davis and Scruton;Another group of scholars,based on fusionism,believe that music has a reproducing function,with representative scholars being Kivi and Ridley.The theory of music reappearance is a historical topic,and the exploration and debate of aesthetic analysis have important theoretical significance.This paper discusses its shortcomings and contemporary significance on the basis of an overall survey of the music reappearance theory of analytical aesthetics.