“关系”中展开的存在之思——刘震云对当代文学反讽的超越

The Thought of Existence Consisted in“Relations”:How Liu Zhenyun’s Irony Transcends the Contemporary Literary

刘震云的反讽蕴含在他的日常“关系”叙事中。主要表现为:人与人之间的“面和心不和”、事与事之间的“芝麻变西瓜”以及人与自我的“说得着”与“说不着”。“面和心不和”以事实与表象的对立凸显贫困、欲望、权力(秩序、规则)对人的奴役及造成的悖逆存在状态;“芝麻变西瓜”展现出世界的荒诞本质;“说得着”与“说不着”则以“反讽式自我”观照个体心灵孤独。这一反讽显然超越了修辞与叙事层面,是典型的存在论视阈中的反讽。它凸显着作家对悖论式存在状态的否定与批判,对荒诞的体认和对自我精神的召唤,是作家反讽精神的体现。刘震云的反讽拓宽了中国当代文学反讽的维度。

Liu Zhenyun's application of irony is implicated in his narrative of daily relations,which demonstrated in such ways as two people’s seemingly unity but divided at heart,things like penny turning into pound,speakable or non-speakable between inner self and the outside world.The harmony on the surface but divided at heart just like the opposition of fact and appearance that implies people are slaved by poverty,desire,power(order,rules)with a result of rebellion existing state.For penny turns into pound,it reveals the absurdity of the world itself.As for speakable or non-speakable to inside and outside,which is a reflection of individual loneliness of mind by self-irony.This irony clearly surpasses the level of rhetoric and narrative,and is a typical irony in the visual threshold.It epitomizes the writer's negation and criticism of the paradox of existence,the recognition of the absurdity and the call for self-spirit,as well as the embodiment of the writer's irony spirit.Liu Zhenyun's irony broadens the dimension of Chinese contemporary literature.