摘要
1933至1936年,在中国电影教育协会与联华、明星等公司的推动与保障下,我国电影以参加国际影展、影人访问团的形式官方出访欧洲,在海内外引发广泛批评讨论。通过布迪厄场域理论对本阶段探索异质文化场域实践之批评进行读解,分析中国电影海外传播的历史渊源与未来方向。
From 1933 to 1936,with the promotion and support of China Film Education Association,Lianhua,Star and other companies,Chinese films officially visited Europe in the form of participating in international film festivals and visiting groups of filmmakers,which aroused widespread criticism and discussion both at home and abroad.Based on Bourdieu's field theory,this paper interprets the criticism of exploring the field practice of heterogeneous culture in this stage,and analyzes the historical origin and future direction of Chinese films'overseas dissemination.
出处
《南京师范大学文学院学报》
2023年第2期148-154,共7页
Journal of School of Chinese Language and Culture Nanjing Normal University
关键词
场域
电影出访
官方
观众
明星
field
film diplomacy
authority
audience
celebrity