摘要
抗日战争时期,原本植根于乡村社会的民间舞蹈,经过中国共产党的革命化改造,发生了历史性变革。太行地区丰富的民间舞蹈因简单易学、参与度高、生活化强等特点,成为中共进行社会动员的重要手段之一。中共对太行抗日根据地的民间舞蹈进行改造,以适应抗战动员的需要,对战时政治、社会、文化等各方面均产生了深远影响,民间舞蹈已成为抗战文化的重要组成部分。民间舞蹈的革命化改造是中共抗战动员的见证,是毛泽东《在延安文艺座谈会上的讲话》中“文艺从属于政治”论断的集中体现,与此同时,也折射出民间舞蹈在战争语境下的演进形态。
During the war of resistance against Japanese aggression,the folk dance rooted originally in rural society experienced historic changes under the reform and social mobilization by the CPC.The rich folk dances in the Taihang region have become one of the important means for the CPC to mobilize for its characteristics of being simple to learn,strong life-oriented with high participation.The CPC reformed the folk dance to meet the needs of mobilization during the War of Resistance,which had a profound impact on various aspects such as politics,society,and culture during the war.Folk dance has become an important part of the culture of the War of Resistance.The revolutionary transformation of folk dance witnessed CPC's wartime mobilization,and was a concentrated reflection of Mao Zedong's statement that“literature and art is affiliated to politics”in his“Talks at Yan'an Forum on Literature and Art”.It also reflects the evolution of folk dance in the context of war.
出处
《日本侵华南京大屠杀研究》
2023年第2期64-75,142,共13页
Journal of Japanese Invasion of China and Nanjing Massacre
基金
教育部人文社会科学研究青年基金项目“太行抗日根据地民间舞蹈革命化与社会动员研究”(18YJC770033)的阶段性成果。
