反身与越轨:《生死场》中女性的“看”与“被看”

Reflexivity and Deviation——On Women’s“Seeing”and“Being Seen”in Life and Death Fair

作为一名女性作家,萧红的女性身份一向是理解分析其作品时独特且无法忽视的视角。在成名作《生死场》中,萧红以其“细致的观察和越轨的笔致”塑造了多样且丰满的女性群像,在乡村与城市、同性与异性、个人与家国、有意与无意之间,她们的“看”与“被看”既充满大胆反叛的“越轨”,也不乏自我检束的“反身”,不仅成为文本内部情节叙事的重要一环,更折射出丰富的自我思考与情感体验。本文即以《生死场》中女性的“看”与“被看”为中心,分析其中的反身与越轨意义。

As a female writer,Xiao Hong‘s female identity has always been a unique and non-negligible perspective in understanding and analyzing her works.In her famous work Life and Death Fair,Xiao Hong created a diverse and plump group of women with her“careful observation and deviant writing”.Between the countryside and the city,the same sex and the opposite sex,the individual and the nation,the intentional and the unintentional,their“seeing”and“being seen”are not only full of bold and rebellious“deviation”,but also self-discipline“reflexivity”,which not only become an important part of the plot narrative in the text,but also reflect rich self-thinking and emotional experience.This paper focuses on women’s“seeing”and“being seen”in Life and Death Fair,and analyzes its significance of reflexivity and deviation..