程永新小说创作整体论

Research on Cheng Yongxin’s Novel Creation

以作家程永新的小说创作为一个“整体性”的考察对象,一方面重新梳理《穿旗袍的姨妈》在童年经验与伤痕书写之外,容易被学界忽略的指向未来的诸方面内容,另一方面详细勾勒长篇小说《气味》与短篇小说集《到处都在下雪》中诸篇作品,乃至部分散文作品之间的“互文性”特征。同时借回顾程永新编辑生涯的《一个人的文学史》之书名来指认其小说创作本质上是“一个人的成长史”或可称之为“一个人的流浪史”。而其新作《若只初见》则既包含了对过去创作内容的延续、修订与完善,又更清晰地呈现出程永新小说中整体性的时代指向,即对于1980年代的不断追忆和重返。

This article takes the novel creation of writer Cheng Yongxin as a“holistic”examination object.On the one hand,it re⁃organizes the various aspects of Auntie in Qipao that are easily overlooked by the academic community,pointing to the future,in addition to childhood experiences and scar writing.On the other hand,it provides a detailed overview of various works in the novel Smell and the collection of short stories Snow Everywhere,even the“intertextuality”between some prose works.At the same time,borrowing the title of Cheng Yongxin’s book A Literary History of a Person to identify his novel creation as essentially“a person’s growth history”or“a person’s wandering history”.And his new work If Only for the First Time not only includes the continuation,revision,and improvement of past creative content,but also more clearly presents the overall direction of the times in Cheng Yongxin’s novels,that is,continuous reminiscing and returning to the 1980s.