浪漫主义歌剧咏叹调中Rubato可视化研究

A Study on the Visualization of Rubato in the Aria of Romantic Opera

19世纪至20世纪初,西方浪漫主义歌剧以其浪漫的情感基调、激烈的戏剧冲突而备受推崇。在塑造性格复杂的人物过程中,Rubato的运用对于旋律线条的情感刻画举足轻重。显性的音乐记号与节奏、和声、音色、密度的隐性变化共同成为探查Rubato的主要音乐理论依据。在节奏结构的框架下,音符时值的延展与减缩的数值比对成为Rubato关键数据支撑。浪漫主义歌剧咏叹调音响本体研究试图从计算机可视化音响参数的角度去验证Rubato理论分析中的适宜性和有效性,并以此为21世纪声乐表演研究与实践提供重要的参考。

From the 19th century to the early 20th century,western Romantic opera was highly praised for its romantic emotional tone and intense dramatic conflicts.In the shaping of complex characters,the use of Rubato is crucial for the portrayal of emotional melodic lines.The explicit musical symbols,along with the implicit changes in rhythm,harmony,timbre,and density,have become the main theoretical basis for exploring Rubato.Under the framework of rhythmic structure,the numerical comparison of the extension and reduction of note duration becomes the key data support for Rubato.The ontology study of aria sound of Romantic opera attempts to verify the suitability and effectiveness of the Rubato theoretical analysis from the perspective of computerized visual sound parameters,and thus provides an important reference for vocal music performance research and practice in the 21st century.