回归本真的人性书写:——以《天堂的张望》为例

On the Humanity Writings of Returning to the True Nature:A Case Study of the Film I Hope You Are Well

《天堂的张望》以其独特而真实的人性叙事直击人心,好评如潮。作为一部公益电影,《天堂的张望》没有刻意夸大人性的善恶,却深深触动国内外观众并引发全社会的深刻反思,体现了新时代电影人性书写的独特视角和影视导演的社会担当。文章基于原型范畴理论,探究该作品对不同群体人性的书写及其潜隐理据,研究发现:与原型性完美人物角色相比,观众更加呼唤人性真实的回归;原生态书写比刻意塑造更能体现电影文学的时代价值;人性并非简单的善恶二分,不回避人性的不足并深挖其根源,正是这个社会向善向上的力量。本研究可为公益电影的人性书写及借助影视文学向世界讲好中国故事提供借鉴。

With its unique and true humanistic writings that are greatly touching,the film I Hope You Are Well has won a great success.As a public welfare film,it does not deliberately exaggerate the good or evil of human nature,but deeply moves the audiences at home and abroad and arouses profound reflection of the whole society,mirroring the unique perspective of humanistic writings in movies in the new era and the social responsibility of the film director.Based on the prototype theory,this paper explores the writing of the human nature of different groups in this film as well as its hidden reasons.The research finds that the audience calls for the return of the true human nature,rather than the archetypal perfect character;the original writing can better embody the era value of the film than the deliberate shaping;human nature cannot be simply divided into good or evil by dichotomy,and it is the positive power of this society not to avoid the inadequacy of human nature and to explore its root.This study can provide a reference not only for the humanity writing of public welfare films but also for telling Chinese stories to the world with the help of film.