摘要
敦煌249窟、296窟西王母图像创作于汉魏时期。图像中的西王母在外形整饰、性别气质和角色职能三方面的表现特征反映了汉魏社会对理想女性性别角色的期待:容貌端庄、位阶尊贵、气质庄重,以及对家庭和社会发挥重要作用。这种对女神的性别角色的型塑反映了汉魏现实的社会心理需求,显示出古代阴阳辩证思维的智慧,并且与当时佛教和本土文化的交汇融合有着密切关联。
Xi Wangmu Images in Grottoes 249 and 296 in Dunhuang were created in Han and Wei dynasties.The performance characteristics of Xi Wangmu in the images that embodied in her appearance decoration,gender temperament and role function revealed the role expectations of the Han and Wei Society for ideal females:dignified appearance,noble status,solemn temperament,and playing a crucial role in family and society.Such a shaping of the gender roles for Goddess illustrates the prevailing social and psychological needs during the Han and Wei dynasties,reveals the wisdom of ancient Yin and Yang dialectical philosophy,and it is also closely related to the intersection and integration of Buddhism and local culture at that time.
作者
徐婷
陈露
何明洁
XU Ting;CHEN Lu;HE Mingjie(School of Public Administration,Sichuan University,Chengdu,Sichuan 610064,China)
出处
《乐山师范学院学报》
2023年第6期104-110,120,共8页
Journal of Leshan Normal University
基金
国家社会科学基金项目规划项目“中国佛教石窟女性信仰的宗教社会学研究”(19BZJ029)
教育部人文社会科学研究一般项目“5-6世纪中原北方石窟佛教物象的社会释义研究”(18YJA730003)
四川大学创新火花项目“5-6世纪中原北方石窟佛教物象的社会释义研究”(2018HHS-23)。
关键词
西王母
性别角色
敦煌图像
文化融合
Xi Wangmu
Gender Roles
Dunhuang Images
Cultural Fusion
