论生态科幻小说的后人类图景与主体性反思——以江波“机器三部曲”和“洪荒三部曲”为例

Reflection on the Posthuman Scenarios and Intersubjectivity of Ecological Science Fiction:A Case Study of Jiang Bo’s“Machine Trilogy”and“Chaos Trilogy”

随着地球生态环境的恶化和科学技术的发展,人类的生存方式也逐渐发生变化。中国当代科幻小说关注到这个趋势,结合有关生态、身体、媒介、技术、人工智能等前沿话题,对人类的发展可能进行了合理想象与详细描写。其中,江波的小说尤其关注后人类的未来发展路径,探讨了赛博格、虚拟生存、量子生命等未来人类生存形态,为思考后人类的社会图景提供了思想坐标。不管是原始人类、机器人类还是具身化的智能体,在未来都属于生态系统的一部分,都是编织世界之网的节点。因此,用交互的、关联的视角去看待不同物种并与其共同生存,这是江波生态科幻小说描写后人类的目的所在。

With the changes in the Earth’s ecological environment and the development of science and technology,human ways of existence have also gradually changed.Contemporary Chinese science fiction pays attention to this trend and combines cutting-edge topics such as ecology,the body,media,technology,and artificial intelligence to engage in reasonable imagination and detailed descriptions of human development possibilities.Among them,Jiang Bo’s novels particularly focus on the future development path of“posthumanity”and explore future human forms of existence such as cyborgs,virtual survival,and quantum life,etc.,providing conceptual coordinates for contemplating the social landscape of“posthumanity”.Whether they are primitive humans,robotic beings,or embodied intelligences,they all belong to a part of the ecological system in the future and serve as nodes in the interwoven web of the world.Therefore,the purpose of Jiang Bo’s science fiction in depicting“posthumanity”is to view different species from an interactive and interconnected perspective and strive for coexistence.