走出“房间”的梅莉贝娅的爱情观

Out of the Room:Melibea's View of Love

本文以"房间"寓意中世纪世俗的女性爱情观,通过对《塞莱斯蒂娜》女主人公梅莉贝娅冲破宗教与封建世俗,不顾家庭荣誉和个人尊严,追求人性真爱的戏剧描述,深刻地揭示了中世纪男女地位不平等、女性之爱无法自由释放、渴望走出"房间"、顺应人本需求的愿望,并能以身试之。同时,也标志着西班牙中世纪无论是文学作品还是现实生活中,反抗典雅爱情世俗婚姻、回归自然爱情本真婚姻的爱情观,已成为时代发展的趋势。由此,也打破了传统意义上中世纪的写作被男性把持的状况,更多地赋予了女性性别身份的权威,给多元、标榜、性别界限的21世纪提供了鲜明的例证。

In this paper,the"room"implies the secular view of feminine love in the Middle Ages.Through the dramatic description of the heroine of La Celestina who breaks through religion and feudal worldliness,regardless of the family's honor and personal dignity,and pursues human nature and true love,the work profoundly reveals that the status of men and women in the Middle Ages being not equal,women's love cannot be freely released,and women are eager to get out of the"room,"to meet the human needs of desire,and can try it out.At the same time,it also marks that in the Middle Ages,whether it is Spanish literature or real life,the idea of resisting courtly love and secular marriage and returning to natural love and true marriage has become the trend of the times.As a result,it has also broken the traditional situation that medieval writing is dominated by men,giving more authority to women's gender identity,providing a vivid example of the 21st century pluralism,flaunting,and gender boundaries.