摘要
与以往的研究不同,该文从母音重叠、连声、相通等声韵方面对松尾芭蕉的俳句进行了全面考察,论证了俳句的声韵规律,同时探究了声韵对俳句内容及含义的扩大作用。虽然日语母音只有五个,容易出现母音重叠现象,但是该文通过对芭蕉俳句的逐一分析及论证,证明了人在吟咏俳句,抑或是抒发情感之时,一定程度上考量了声韵之美。声韵美不仅可以增强俳句的音乐性和节奏感,也可以增加句子的感情色彩,拓展诗意。
This paper examines the rhyme scheme in Matsuo Basyo's haiku in terms of the repetition of boins,renjyou,and soutsi.It demonstrates the various rules of the rhyme scheme,and their functions in constructing the meaning of the haiku.In spite of the fact that there are only five boins in the Japanese language and hence the inevitable repetition of boin in the lines,this paper shows that Matsuo Basyo did take rhyme scheme into consideration when he composed the haiku and expressed his emotions through it.The rhyme scheme in his haiku not only enhances musicality and rhythm in the lines,but also increases the emotional intensity and thus elevates the poetic meaning.
作者
胡文海
HU Wenhai(School of International Studies,Zhejiang University)
出处
《中世纪与文艺复兴研究》
2021年第1期52-69,共18页
Medieval and Renaissance Studies
关键词
松尾芭蕉
俳句
母音重叠
连声
相通
Matsuo Basyo
haiku
the repetition of Boin
Renjyou
soutsi