性别美学视角下18世纪中法贵族女性鞋履文化探究——以高底鞋和高跟鞋为例

The Shoes Culture of Chinese and French Noble Women in the Eighteenth Century fromthe Perspective of Gender Aesthetics:Taking High-soled Shoes and High-heeled Shoes as Examples

在中西方女性装扮史上曾出现过许多特色服饰,这些服饰体现了女性在不同文化体系里对于美的认知差异,而这些差异又折射出民族文化内涵以及更深层次的文化实质。文章以性别美学的视角,将中国清代高底鞋与法国洛可可时期高跟鞋作为研究对象,通过探讨18世纪高底鞋和高跟鞋的流行与女性性别美学之间的联系,旨在发现18世纪中西女性的身体装扮对于女性美学发展的促进作用,为时下女性主义美学研究提供参考。

Many distinctive costumes have appeared in the history of women's dress in China and the West,which reflect the differences in women's perception of beauty within different cultural systems,and these differences in turn reflect national cultural connotations and deeper cultural essence.From the perspective of gender aesthetics,this paper takes high-soled shoes in the Qing Dynasty of China and high-heeled shoes in the Rococo period of France as research objects.By exploring the relationship between the popularity of high-soled shoes and high-heeled shoes in the eighteenth century and female gender aesthetics,this study aims to find out the promoting role of Chinese and Western women's physical attire in the development of female aesthetics in the eighteenth century and serve as a reference for contemporary feminist aesthetics research.